Purple Tree PhotographyPurple Tree Photography - Ricarda's Toronto Wedding
Inside Ricarda’s Toronto Wedding: Every Detail You Need to See
Ricarda’s
Raquel & Callum

There’s a moment in every wedding day where the quiet of the morning gives way to the noise of the night and for Raquel and Callum, that arc took them from the historic stone halls of Trinity College to the soaring, string-lit courtyard of Ricarda’s. Planned down to the last candle, this was a day built on contrast. With old-world architecture against modern industrial glass, hushed portraits against a dance floor that never emptied.

PHOTOGRAPHY – Purple Tree Photography VENUE – Ricarda’s PLANNER – Fabulous Occasions FLORALS  Beaux Florals Design  DECOR – Table Tales, Detailz Furniture Rentals, Gervais ENTERTAINMENT – DJ Floh Back MAKEUP – Marian Duarte  VIDEOGRAPHY – Video Gems WEDDING DRESS – Camellia Wedding Gown WEDDING RINGS – Edan Diamonds

Purple Tree Photography - Ricarda's Toronto Wedding
Purple Tree Photography - Ricarda's Toronto Wedding
Purple Tree Photography - Ricarda's Toronto Wedding
Purple Tree Photography - Ricarda's Toronto Wedding

The morning started upstairs, bridesmaids in a row of champagne and merlot tones, bouquets of white calla lilies in hand, all eyes on the top of the staircase as Raquel appeared. Framing her reflection in the round mirror at the landing so you catch both the bride coming down and her friends’ reactions in the same frame, the kind of moment that’s impossible to stage and only works because everyone forgot the camera was there. Raquel’s gown was a Camilla Wedding Gown original, and her makeup was soft, warm, lit from within, thanks to the work of Marian Duarte.

If you’ve never shot a wedding on the grounds of Trinity College, it’s worth explaining why photographers love it so much. The stone facades are Gothic Revival through and through with deep-set windows, ivy climbing the walls, a carved crest over a centuries-old wooden door that looks like it belongs in another country entirely. It’s quiet, it’s untouched by the city noise a block away, and the light through the trees in late spring is soft and dappled in a way that flatters everything it touches. For a couple who wanted portraits that felt timeless rather than trendy, there was no better backdrop.

We used the courtyard’s stone balustrade and the arched doorway for the formal portraits. Raquel and Callum framed small against the scale of the architecture, which does a lot of the storytelling on its own. Then we let them walk, hand in hand, away from camera, and caught Raquel looking back over her shoulder mid-laugh, veil catching the breeze. Some of the best frames of the day happened in between the posed ones.

From there, it was on to Ricarda’s, where the ceremony space was its own kind of architectural moment. Two soaring white pillars crossing overhead like an abstract chapel, draped in white fabric that framed the altar of blush and white florals below. As Raquel walked down the aisle to “Is This Love” by Luke Burr the room seemed to hold its breath. Shooting straight down the aisle from the back captured the full scale of it with the crossing beams overhead, the glass wall behind, the city just visible beyond.

Raquel and Callum’s favourite moment of the day came just after, when they turned to face their guests while the officiant walked the aisle telling their story. “We both just blacked out,” they said, “completely overwhelmed with emotions that the day was finally here. It was overwhelming, beautiful and peaceful all at the same time.”

As the sun went down, the courtyard transformed to pink and lavender uplighting on the exposed brick, string lights and candlelight replacing the daylight, blush and peach florals glowing on tall black stands. We captured the toasts from across the table, guests raising their glasses in the foreground, so you feel like you’re sitting right there with them.

Then came the part they’d been anticipating all day, the dance floor. Under that same crossing white structure, now lit in magenta, the room let go of every formality. Their first dance, to “Say You Won’t Let Go” by James Arthur, was the song from the very beginning of their relationship, and dancing to it here felt like the whole story circling back. A couple of guests raised the Spanish and Portuguese flags mid-party, a small, personal flash of family heritage.The mezzanine above gave the whole scene its scale displaying a sea of people, candlelight on the tables below, the couple somewhere in the middle of it all.

Congratulations, Raquel and Callum. Watching this day unfold was a reminder of why we do this work. Thank you for trusting us with something so personal, for the dancing, the toasts, and every unscripted moment in between. Here’s to a marriage as full of joy as your wedding day was.

Purple Tree Photography - Ricarda's Toronto Wedding